THE RE-EXPRESSION OF THE STYLISTIC CONVERGENCE CREATED BY COLORONYMS IN THE GHAZALS OF ALISHER NAVOI IN THE FRENCH TRANSLATION

Abstract

The article analyzes the re-expression of stylistic convergence in the French translation by means of colorative units, which is of great importance for the field of translation studies, on the example of Alisher Navoi's ghazals. It was observed that artistic arts in Uzbek classical poetry are given through equivalent stylistic figures in the stylistics of the French language, and in some cases artistic arts are not reflected in the translation.