PERCEPTION AND DESCRIPTION OF THE MAIN COLOR RELATIONS IN PAINTING IN THE LANDSCAPE GENRE IN FINE ART CLASSES IN HIGHER EDUCATION INSTITUTIONS

Authors

  • Nabijanova Iroda Foziljon qizi Namangan State University Pedagogy 4th-year student of easel painting faculty

Keywords:

existence, landscape, composition, summer practice, plein air, color, composition content, naturalism, realism, perspective, air harmony, canvas, subject, center, interior, exterior, law of contrast.

Abstract

Theoretical and practical subjects are conducted in higher educational institutions to acquire the necessary knowledge from fine art subjects, and knowledge and skills are formed based on the topics given in subjects. In fine arts, drawing and painting form the composition of the main disciplines and are the main basis of every visual art and applied art. Therefore, in the science of drawing, if it is required to draw and form more, its process of shading, to finish with a sense of materiality, in the science of painting, to work with colors as the original copy of the drawn image, to form the harmony of colors with each other, and to deeply master the gamma, the main color in creating a work of colors, it is important to teach knowledge such as correct perception of chromatic and achromatic colors. Regardless of the type of fine art genres, each direction has its own requirements and laws for working with colors. When creating a picture in the landscape genre, the artist's thought and the main composition in the picture are illuminated in the work by fully understanding the main color and revealing its authenticity.

References

Temirova, M. (2023). THE ABILITY OF THE TEACHER TO APPLY THE TECHNOLOGIES OF INDIVIDUAL WORK WHEN TEACHING STUDENTS THE LESSONS OF SKILLFUL PAINTING. Евразийский журнал академических исследований, 3(3), 177-181.

Темирова, М. И. (2022). ИЗОБРАЗИТЕЛЬНОЕ ИСКУССТВО И ЕГО СОДЕРЖАТЕЛЬНАЯ СУЩНОСТЬ. Innovation: The journal of Social Sciences and Researches, 1(2).

Temirova Muqaddas, & Turg'unboyeva Maftunaxon. (2023). TASVIRIY SAN'AT FANLARINI MAKTABLARDA O'QITISHNING ZAMONAVIY TEXNOLOGIYALARI. https://doi.org/10.5281/zenodo.10337479

Temirova Muqaddas, & Nazarov Murodjon. (2023). MAHOBATLI RANGTASVIR KOMPOZITSIYASINING ZAMONAVIY USLUBLARI, SHAKLLARINI TALABALARIGA O'QITISHDA YANGICHA YONDASHUV. https://doi.org/10.5281/zenodo.10322777

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Published

2024-05-16

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Section

Articles

How to Cite

PERCEPTION AND DESCRIPTION OF THE MAIN COLOR RELATIONS IN PAINTING IN THE LANDSCAPE GENRE IN FINE ART CLASSES IN HIGHER EDUCATION INSTITUTIONS. (2024). Proceedings of International Educators Conference, 3(5), 81-87. https://econferenceseries.com/index.php/iec/article/view/4735