THE INTERSECTION OF TIME AND ART IN ENGLISH AND UZBEK ENLIGHTENMENT DRAMATURGY

Authors

  • Asqarova Dilbarxon Asqarjon qizi Doctoral student of Tashkent State Transport University

Keywords:

Enlightenment dramaturgy, time, artistic expression, England, Uzbekistan, comparative analysis, cultural context

Abstract

This article examines how temporal concepts intersect with artistic expression in Enlightenment dramaturgy, comparing the theatrical traditions of England and Uzbekistan. Through a comparative analysis of pivotal plays, the research investigates how playwrights from these distinct cultural milieus depicted temporal themes and employed artistic techniques to convey philosophical and societal ideals during the 17th and 18th centuries. By juxtaposing English and Uzbek Enlightenment drama, this study seeks to uncover the cultural and philosophical underpinnings that influenced their respective artistic representations of time.

References

Akhmedov, Anvar. (2000). Uzbek Classical Literature. Publisher.

Sitter, John. (1998). "Title of the Article or Book Chapter." In Book Title, edited by Editor's Name, pages if applicable. Publisher.

Watt, Tessa. (1991). Cheap Print and Popular Piety, 1550-1640. Publisher.

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Published

2024-07-17

Issue

Vol. 3 No. 7 (2024): SCMS

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

How to Cite

THE INTERSECTION OF TIME AND ART IN ENGLISH AND UZBEK ENLIGHTENMENT DRAMATURGY. (2024). Proceedings of International Conference on Modern Science and Scientific Studies, 3(7), 70-76. https://econferenceseries.com/index.php/icmsss/article/view/5325